Pirate's Alley Faulkner SocietyWords & Music

 

Justin Torres


ALIHOT (A Legend In His Own Time)

First Fiction, 2011

 

About the Author:

Justin Torres—whose debut novel We The Animals released a firestorm of critical praise—grew up in upstate New York. His work has appeared in The New Yorker, Harper’s, Granta, Tin House, Glimmer Train, and other publications. A graduate of the Iowa Writers' Workshop, he is a recipient of the Rolón United States Artist Fellowship in Literature, and is now a Wallace Stegner Fellow at Stanford. He has worked as a farmhand, a dog-walker, a creative writing teacher, and a bookseller. For interviews with Justin Torres, follow the links below:

Chris Waddington’s review/interview with Torres at Nola.com:
http://www.nola.com/books/index.ssf/2011/09/justin_torres_triumphs_with_a.html

New Yorker Interview about his short fiction:
http://www.newyorker.com/online/blogs/books/2011/07/this-week-in-fiction-justin-torres.html

Youtube interview:
www.youtube.com/watch?v=eY2hfaWaLUM

The Outlet interview by Sara Ortiz:
http://electricliterature.com/blog/2011/08/19/interview-justin-torres-author-of-we-the-animals/



About the Book/Reviews & Blurbs


…a strobe light of a story...I wanted more of Torres's haunting word-torn world...
—New York Times Book Review

Justin Torres' debut novel is a welterweight champ of a book. It's short but it's also taut, elegant, lean — and it delivers a knockout. 
NPR's Weekend Edition

…a slender but affecting debut novel by Justin Torres...[a] sensitive, carefully wrought autobiographical first novel...The scenes have the jumbled feel of homemade movies spliced together a little haphazardly, echoing the way memory works: moments of fear or excitement sting with bright clarity years later, while the long passages in between dissolve into nothingness. From the patchwork emerges a narrative of emotional maturing and sexual awakening that is in many ways familiar...but is freshened by the ethnicity of the characters and their background, and the blunt economy of Mr. Torres’s writing, lit up by sudden flashes of pained insight.
New York Times

The communal howl of three young brothers sustains this sprint of a novel, which clocks in at a hundred and twenty-five pages. The boys, who imagine themselves the Musketeers, the Stooges, and the Holy Trinity all at once, are the wisecracking, lamenting chorus who bear witness to their parents' wild-ride marriage. Ma got pregnant at fourteen--she tells her oldest son she could feel him growing inside her, 'heart ticking like a bomb'--and now sleeps for days at a time and weeps whenever she tells her children she loves them; Paps, occasionally AWOL, surfaces to deliver meticulous, leisurely spankings. The collage of vignettes is elevated by Torres's twitchy prose, in which the pummel of hard consonants and slant rhymes becomes a kind of incantation: 'They hunched and they skulked. They jittered. They scratched...They'll flunk. They'll roll one car after another into a ditch.'
New Yorker

The best book you'll read this fall...We The Animals a slim novel - just 144 pages -- about three brothers, half white, half Puerto Rican, scrambling their way through a dysfunctional childhood, is the kind of book that makes a career. Torres’s sentences are gymnastic, leaping and twirling, but never fancy for the sake of fancy, always justified by the ferocity and heartbreak and hunger and slap-happy euphoria of these three boys. It’s a coming-of-age novel set in upstate New York that rumbles with lyric dynamite. It’s a knock to the head that will leave your mouth agape. Torres is a savage new talent."
Esquire

First-time novelist Justin Torres unleashes We the Animals (Houghton Mifflin Harcourt), a gorgeous, howling coming-of-age novel that will devour your heart. 
Vanity Fair

...a novel so honest, poetic, and tough that it makes you reexamine what it means to love and to hurt. Written in the voice of the youngest of three boys, this partly autobiographical tale evokes the cacophony of a messy childhood – flying trash-bag kites, ransacking vegetable gardens, and smashing tomatoes until pulp runs down the kitchen walls. But despite the din the brothers create, the novel belongs to their mother, who alternates between gruff and matter-of-fact – 'loving big boys is different from loving little boys – you’ve got to meet tough with tough.' In stark prose, Torres shows us how one family grapples with a dangerous and chaotic love for each other, as well as what it means to become a man.
O, the Oprah Magazine

The imagistic power of Justin Torres’ debut, We The Animals, (Houghton Mifflin Harcourt), exists in inverse proportion to its slim 128 pages. Just try shaking off this novel about three upstate New York brothers whose knockabout childhoods with their Puerto Rican “Paps” and whiteMa” are the narrative equivalent of feral kitties being swung overhead in a burlap bag.
Elle Magazine

…a kind of heart-stopping surge of emotion and language in this musical tornado of a novel.
– Pam Houston in More Magazine

We The Animals packs an outsized wallop; it's the skinny kid who surprises you with his intense, frenzied strength and sheer nerve. You pick up the book expecting it to occupy a couple hours of your time and find that its images and tactile prose linger with you days after...what stays with me are the terrible beauty and life force in Torres' primal tale. - —Newsday

Telling the story of three mixed race brothers growing up in upstate New York,  Justin Torres’ debut novel, We the Animals, is a quick, raw, punchy read....memorable and vivid.
Dallas Morning News

Here's a first novel that reads like one, not because it's amateurish or unsure of itself - it's neither - but because it's urgent. Urgency in fiction is easily faked - kill off the protagonist's parents in the first sentence, or do away with dependent clauses, or use the second person - but Justin Torres' We the Animals  is actually urgent. Urgent not to tell us anything or to make a particular point, but, like a living thing, to be what it mysteriously needs to be, to fulfill the promises it makes to itself.
San Francisco Chronicle

It takes only a single paragraph of Justin Torres' We the Animals to announce a powerful new voice in literary fiction....This short, sharp shock of a debut novel, based on the author's experiences growing up poor in upstate New York, is like a viscous liquor that both burns and braces.
 —Arizona Republic

In his debut, Justin Torres mesmerizes with the surprising rhythms and word choice of a slam poet.
—Cleveland Plain Dealer

It’s rare to come across a young writer with a voice whose uniqueness, power and resonance are evident from the very first page, or even the very first paragraph. It does happen every once in a while, though. And it’s happened again, just now, with the publication of We The Animals, a slender, tightly wound debut novel by a remarkable young talent named Justin Torres.
—Washington Post

A slim book can hold volumes. We the Animals, the first novel from Justin Torres, is such a book. Not an ounce of fat on its slight frame, but the story is sinewy. Stong....We the Animals crafts beauty out of despair. From lives so fragmented they threaten to break off into oblivion at any moment, Torres builds a story that is burnished, complete. That takes talent, diligence and more than a little grace." -
Houston Chronicle

We The Animals is a book so meant to break your heart that it should lose its power just on the grounds of being obvious. That it pierces - with an arrow dipped in ache - signals that Justin Torres is a writer to embrace from the start. This is his first novel.
—Newark Star Ledger

Torres has spilled onto the scene, big beating heart in hand. The book is short because it must've been absolutely exhausting to write. But that doesn't matter because you'll read it three times. But most of all, "We the Animals" will enrapture the literary world, as it should, because of its lyricism. It feels like reading James Agee by lightning strike.  
Arkansas Times

Justin Torres’s slim volume We the Animals comprises a series of seminal moments from a young boy’s life, which are revealed in brilliant, searing flashes; its relatively few pages contain the arc of an entire childhood...As a debut, We the Animals proves that Torres is not only a novelist of deep empathy, but one with the ability to compress this feeling into prose until only the truest and most essential kernels remain.
Time Out New York

Justin Torres’ debut novel, We the Animals, does a lot more than just get read. In a mere 124 pages, it shouts, beatboxes and flirts; it lulls only to shock awake; it haunts and creeps and surprises. If Torres’ book were an object, it would be a BB gun spray-painted jungle green. If it were a sound, it would be something like Kanye West circa “808s and Heartbreaks” reinterpreting Maurice Ravel’s “Bolero.” Torres, a 31-year-old graduate from the Iowa Writers’ Workshop and a current Wallace Stegner Fellow, writes in a voice that combines urgency, brutality and huggable cuteness that creates a pungent new voice both endearingly frightening and difficult to categorize.
Forbes.com

Short sentences. Short chapters. Short book. But wow! What a powerful piece of fiction. Justin Torres' "We the Animals" is a tough little novel about three brothers growing up as the neglected, beloved sons of a Puerto Rican father and a white mother who works the graveyard shift in a brewery and sometimes doesn't know what day it is. It's daring and funny and a little scary, and it nails the competitive bond among siblings better than any book in recent memory.
The Oregonian

We the Animals snatches the reader by the scruff of the heart, tight as teeth, and shakes back and forth—between the human and the animal, the housed and the feral, love and violence, mercy and wrath—and leaves him in the wilderness, ravished by its beauty. It is an indelible and essential work of art.
—Paul Harding, Pulitzer Prize–winning author of Tinkers

In language brilliant, poised and pure, We the Animals tells about family love as it is felt when it is frustrated or betrayed or made to stand in the place of too many other needed things, about how precious it becomes in these extremes, about the terrible sense of loss when it fails under duress, and the joy and dread of realizing that there really is no end to it. —Marilynne Robinson

We the Animals is a dark jewel of a book. It’s heartbreaking. It’s beautiful. It resembles no other book I’ve read. We should all be grateful for Justin Torres, a brilliant, ferocious new voice.
—Michael Cunningham

Justin Torres has accomplished an extraordinary thing—put on the page what has seemed impossible to articulate, a degree of passion and terror that many of us know but have hesitated to make this plain. A gift. Some books quicken your pulse. Some slow it. Some burn you inside and send you tearing off to find the author to see who made this thing that can so burn you and quicken you and slow you all at the same time.  A miracle in concentrated pages, you are going to read it again and again, and know exactly what I mean.
—Dorothy Allison



Faulkner Society events are made possible in part by support from The Arts Council of New Orleans, the City of New Orleans, and the Decentralized Arts Funding Program of The Louisiana Division of the Arts; the J. J. and Dr. Donald Dooley Fund and administrator, Samuel L. Steele, III; Bertie Deming Smith and the Deming Foundation; the Hearst Corporation and Debra Shriver, Vice President; the Law Firm of Deutsch, Kerrigan & Stiles; the English Speaking Union; Rosemary James, Joseph DeSalvo and Faulkner House, Inc; Randy Fertel and The Ruth U. Fertel Foundation; Arthur & Mary Davis, Quint Davis, and Pam Friedler; Alexa Georges; the Louisiana State Museum; Elizabeth McKinley; Hotel Monteleone; Mr. & Mrs. Hartwig Moss, III; Theodosia M. Nolan, Tia and James Roddy, and Peter Tattersall; Parkside Foundation; Le Petit Theatre du Vieux Carre; Anne and Ron Pincus; Other Press, a Division of Random House; E. Quinn Peeper and Michael Harold; Spring: A Journal of Archetype and Culture: Nancy Cater, Editor; the State Library of Louisiana; Judith "Jude" Swenson in memory of her late husband, James Swenson.

 
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